パゾリーニ著／聖パウロ（英訳）※アラン・バディウ序言 Saint Paul : A Screenplay
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Full Description
Presented here for the first time in English is a remarkable screenplay about the apostle Paul by Pier Paolo Pasolini, legendary filmmaker, novelist, poet, and radical intellectual activist. Written between the appearance of his renowned film "Teorema "and the shocking, controversial "Salo, or the 120 Days of Sodom," "St Paul "was deemed too risky for investors. At once a political intervention and cinematic breakthrough, the script forces a revolutionary transformation on the contemporary legacy of Paul. In Pasolini's kaleidoscope, we encounter fascistic movements, resistance fighters, and faltering revolutions, each of which reflects on aspects of the Pauline teachings. From Jerusalem to Wall Street and Greenwich Village, from the rise of SS troops to the death of Martin Luther King, Jr, here--as Alain Badiou writes in the foreword--'Paul's text crosses all these circumstances intact, as if it had foreseen them all'. This is a key addition to the growing debate around St Paul and to the proliferation of literature centred on the current turn to religion in philosophy and critical theory, which embraces contemporary figures such as Alain Badiou, Slavoj iek and Giorgio Agamben.
Table of Contents
Foreword vii
Alain Badiou
Acknowledgements xiii
Introduction: Translating Pasolini Translating xv
Paul
Elizabeth A. Castelli
Plan for a Film about Saint Paul 1 (10)
Outline of a Screenplay for a Film about 11 (98)
Saint Paul (in the Form of Notes for a
Production Director)
Note on the Text 109 (2)
Afterword: Appropriation's Excess, Paul of 111
Tarsus for an Age of the Capitalization of
Mastery
Ward Blanton
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